A per abisso
A per Abisso
Clément Rodzielski’s work questions the appearance of images, the shadow of their reproduction and the diversions of their circulation. Measuring the gap between what we receive and the origin of images, their uses, abuses and their destinations. Rodzielski recently took part in several shows in museums and exhibition spaces, including La Synagogue de Delme (2014), Palais de Tokyo, Paris (2014), the FRAC Champagne-Ardenne, Reims (2012), the Bétonsalon, Paris (2005 ). His works also feature in many public and private collections, such as the Musée d’Art Moderne de la Ville de Paris, the FRAC Champagne-Ardenne, The FRAC Nord-Pas-de-Calais and the Fondation Kadist.